![]() I happen to live in a situation where volume is no object, other than my own comfort and aural health. This thing is 15w, and it has almost as much cone real-estate as a 1x15". ![]() A 1x12 SS amp is usually going to have 100, or at least 50w feeding it. and that's kinda what makes it stupid at the same time. Think about the speaker arrangement packaged with most other 15w SS amps. And you have two separate drivers!! Now, I'm no rocket-surgeon, and I can't even begin to 'splain the Science behind why 2x 1x10s sounds so awesome, but it does. It's more square-inches of cone than a 1x12, and damned-near as much as a 1x15. The cleans are pretty good, the gain is pretty reactive to what you dial in, and you have a passable reverb, chorus, flanger and phaser, on-dial, that don't require a refresh of the user manual to use.ĪND!!! It's two 1x10s- a freaking awesome speaker arrangement. Moreso, if you leave it plugged into a passive-pup'ed guitar on a stand, you are literally one switch-flip away from being able to play a decent sounding electric rig- and it looks enticing just sitting there. They look really cool, and, if "rock" fits your decor, they're a really fitting piece of furniture. The footprint is relatively small, and it doesn't matter if you prefer to play standing or sitting, the controls are all in the perfect spot for some short-cord practicing. The geometry is perfect for a living-room guitar amp. They're awesome because they have a better form-factor (in my opinion) than any other living-room type amp, they sound pretty good, and they have a great speaker arrangement- far better than anything else you're going to find in that class. I think you're getting mixed reviews, because those amps are both awesome and stupid at the same time (don't forget that I said "awesome" just because the last thing I said was "stupid"). Take everything I say with a grain of salt because I'm not a very good guitar player, and I don't have the developed ear that many of the other folks here have. ![]() I have already done the pedal but I have things that I would like to understand.Click to expand.I have (I think) one of exactly what is in your OP pic. It is not that only Gain2 goes to ground but rather that Gain3 also, I do not just understand the scheme, this connection seems to end in an arrow in the ring of the jack, how do we interpret it, which disconnects when the jack is inserted in LOW? Does the following arrow say the same when connecting HIGH? Is it an antiPop circuit that only makes sense when there are no jacks in? Gain works the opposite of what is expected. ![]() In the statement of the scheme It says: 10 Cuts, 3 Jumpers, I will have gone crazy crazy looking but I only see two. No es que solo Gain2 vaya a masa si no que Gain3 también, no acabo de entender el esquema, esta conexión, parece acabar en una flecha ¿cómo lo interpretamos, que se desconecta cuando el jack se introduce en LOW? ¿Hace lo mismo al conectar HIGH? ❾s un circuito antiPop que solo tiene sentido cuando no hay jacks puestos? Gain funciona al revés de lo que se espera. Here are the links for the devices I used it with:Įn el enunciado del esquema Dice: 10 Cuts, 3 Jumpers, Me habré vuelto loco loco mirando pero solo veo dos. It's not a high gainer at all despite the considerable amount of gain it pulls out: useless for palm mutes, great for kerrangg chords. I also like it with gain halfway and other pedals (TS9, Golden Dragon) pushing it. Actually, I like it better this way than some other hyped Plexi emulations.īear in mind that it's just the preamp section, so it may not sound good plugged to some devices: it was absolutely horrible thru my DAW and running in a cab impulse, for example. Well I still have to box it, so lots of squeals and buzzes around (as with almost every effect that uses a charge pump) but I tested it last weekend with a fetzer-ish gain stage at the output, directly into a mini SS poweramp, to get some kind of Master Volume + Level controls, and it sounds really good.
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