Today’s forward-thinking female and queer stars-as varied as Rosalía, SZA, Solange, Perfume Genius, and Lizzo-tend to salute her as a foremother. Many observers have been confused by this brew, but for others, Björk is a comfort, an affirmation of their own inalienable originality. Starting with her 1993 solo album, Debut, and continuing through her acclaimed work of the past decade, she has carved a path with her guttural voice and counterintuitive melodies, her edgy instrumentation and wise lyrics, her surreal visuals and alchemical tech. Her influence is also inescapable worldwide. At a nearby bar, I got to chatting with a middle-aged man who said that Björk had babysat him when he was a kid. The Icelandic Punk Museum, a tiny labyrinth in a converted public bathroom, is partly a shrine to The Sugarcubes, the rock band that brought Björk to international fame in the late ’80s. When I checked into my hotel in Reykjavík-a city of 135,000 that blends the vibes of a mountain-climbing base camp and a bohemian port-a song of hers was playing in the lobby. Yet at age 56, having spent three decades as one of music’s most important figures, Björk has hardly gone unnoticed in her home country. “Icelanders,” Björk explained, “are too cool for school.” But she moved through the busy café unbothered, even un-stared-at, by the other patrons. The whole look read as fungal chic, reflecting the earthy aesthetic of her new album, Fossora, which will be out at the end of this month. Her Cleopatra hairstyle had been dyed with strips of white, pink, and mold blue, and the pendulous ruffles of her gown-like overcoat were patterned orange and gray-green. “We had to set our clock to the tide,” she said, brightly, as if I would know what that meant.ījörk looked very Björk, which is to say that she looked like no one else on this planet. Upon arriving at the plant-filled café where we’d agreed to meet, Björk thanked me for my flexibility. Just that morning, our interview had been rescheduled to an hour earlier than originally planned so that we could travel to a location unknown to me. M idday on a Monday in Iceland’s capital of Reykjavík, Björk walked into a coffee shop and gave me a riddle. Visit and top-up wind by Dan Harrison from Southern Cross University - on the day we retained The Ashes. There was a power cut today - needed to shift the drift plot Winding by Carissa Tolmie and Amelia Tolmie Visit by Naomi Vince and Milly Yelf in anticipation of events. Winding by Saskia Frisby, Fabien Troivaux and Rosie Cates Visit by Hagai Shaham, Arnon Erez and Raphael Wallfisch - SEW Trio on their way to Ripon for a concert Top-up wind for University of Illinois Chicago with John Finan and ME-320 Mechanisms and Dynamics of Machinery live stream Good fun! Visit by Liza Hadley, Paul Hadley, Dilys Hadley. Visite par Michele Pomies Bernard Pomies - de L'Aveyron Winding by Rachel Angus, Alice Pernthaller and Rosie Cates Top-up wind by Catherine Drysdale and Matt Colbrook Winding by Annabel Gold, Elle Wyatt, Rory Dyer, Rosie Cates, Alexander Watson and Ho Lam YiuĬlock change for winter time with an assembled crowd in Great Court Winding by Liza Hadley and Eric LeGresley Winding by Louise Place and John Aldridge Winding by Gauri Gupta, Bei Reid and Rosie Cates Red arrows up ▲ indicate addition of weights to speed the clock up. indicate that there is a comment relating to the time indicated.īlue arrows pointing down ▼ indicate that an adjustment was made to the Going of the clock by removing weights from the pendulum.This enables the steady-state physics of the clock to be examined without unnecessary interference. The clock is regulated as infrequently as possible so as to stay within +/- 5 seconds of the correct time. Here is a graph for the last 30 days of driftĪ barometric compensator was installed at clock change - midnight 28 March 2010. Yesterday's weather in Cambridge, including wind. Watch the clock strike twelve or hear it strike twelve at The work was done as part of a 4th year MEng project at the Engineering Department.Ī sensor on the pendulum detects the going of the clock, which is compared to the accurate time signal from a GPS receiver.įor an entirely mechanical clock the accuracy is remarkable. In 2009 a system was installed to monitor the "going". It is remarkably accurate, known to be better than one second per month. Trinity College, Cambridge was installed in 1910.
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